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This table shows all the simple intervals of septimal meantone, which includes the entire 7-limit tonality diamond. Other relevant tables of meantone intervals are the table of quarter-comma meantone intervals and the table of 31 edo intervals.

In 12edo the diminished second vanishes, so this cornucopia of intervals collapses to a mere 12. None of the intervals is inherently septimal in 12edo, because they all have simpler 5-limit descriptions.

In 19edo, in contrast, the *double* diminished second vanishes, so the equivalences are A1~d2, A2~d3, A3~d4, A4~dd5, AA4~d5, A5~d6, A6~d7, and A7~d8. Thus some intervals are undeniably septimal, but ambiguously so because 49/48 vanishes.

More complex meantone edos such as 31edo distinguish all intervals listed on this table.

See also Wikipedia's list of meantone intervals
Name
Size*
Ratios
Unisons
Perfect unison (P1)
0
1/1
Augmented unison (A1)
75.5
28/27~25/24~21/20
Seconds
Diminished second (d2)
42.0
128/125~64/63~50/49~36/35
Minor second (m2)
117.5
16/15~15/14
Major second (M2)
193.0
10/9~9/8
Augmented second (A2)
268.5
7/6
Thirds
Diminished third (d3)
235.0
8/7
Minor third (m3)
310.5
6/5
Major third (M3)
386.0
5/4
Augmented third (A3)
461.5
21/16
Fourths
Diminished fourth (d4)
428.0
9/7 (a bit 14/11-ish)
Perfect fourth (P4)
503.5
4/3
Augmented fourth (A4)
579.0
7/5
Double augmented fourth (AA4)
654.5
Close to 16/11
Fifths
Double diminished fifth (dd5)
545.5
Close to 11/8
Diminished fifth (d5)
621.0
10/7
Perfect fifth (P5)
696.5
3/2
Augmented fifth (A5)
772.0
14/9 (a bit 11/7-ish)
Sixths
Diminished sixth (d6)
738.5
32/21
Minor sixth (m6)
814.0
8/5
Major sixth (M6)
889.5
5/3
Augmented sixth (A6)
965.0
7/4
Sevenths
Diminished seventh (d7)
931.5
12/7
Minor seventh (m7)
1007.0
16/9~9/5
Major seventh (M7)
1082.5
15/8
Augmented seventh (A7)
1158.0
35/18~49/25~63/32
Octaves
Diminished octave (d8)
1124.5
27/14~48/25~40/21
Perfect octave (P8)
1200
2/1
Augmented octave (A8)
1275.5
25/12~21/10
* In POTE septimal meantone